A Narrative of the Captivity and Adventures of John Tanner (U.S. Interpreter at the Saut de Ste. Marie) During Thirty Years Residence among the Indians in the Interior — Inside the Classic
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This digital edition of A Narrative of the Captivity and Adventures of John Tanner (U.S. Interpreter at the Saut de Ste. Marie) During Thirty Years Residence among the Indians in the Interior — Inside the Classic is described by source-level measurements including 173,050 words, 12 hr 33 min estimated reading time, and 23 detected text sections.
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reatment—transferred by purchase to the family of Net-no-kwa—removal to Lake Michigan.
The earliest event of my life, which I distinctly remember, is the death of my mother. This happened when I was two years old, and many of the attending circumstances made so deep an impression, that they are still fresh in my memory. I cannot recollect the name of the settlement at which we lived, but I have since learned it was on the Kentucky River, at a considerable distance from the Ohio.
My father, whose name was John Tanner, was an emigrant from Virginia, and had been a clergyman. He lived long after I was taken by the Indians, having died only three months after the great earthquake, which destroyed a part of New Madrid, and was felt throughout the country on the Ohio, (1811.)
Soon after my mother’s death, my father removed to a place called Elk Horn. At this place was a cavern—I used to visit it with my brother. We took two candles; one we lighted on entering, and went on till it was burned down; we then lighted the other, and began to return, and we would reach the mouth of the cavern before it was quite burned out.
This settlement at Elk Horn was occasionally visited by hostile parties of Shawneese Indians, who killed some white people, and sometimes killed or drove away cattle and horses. In one instance, my uncle, my father’s brother, went with a few men at night, and fired upon a camp of these Indians; he killed one, whose scalp he brought home; all the rest jumped into the river and escaped.
In the course of our residence at this place, an event occurred, to the influence of which I attributed many of the disasters of my subsequent life. My father, when about to start one morning to a village at some distance, gave, as it appeared, a strict charge to my sisters, Agatha and Lucy, to send me to school; but this they neglected to do until afternoon, and then, as the weather was rainy and unpleasant, I insisted on remaining at home. When my father returned at night, and found that I had been at home all day, he sent me for a parcel of small canes, and flogged me much more severely than I could suppose the offence merited. I was displeased with my sisters for attributing all the blame to me, when they had neglected even to tell me to go to school in the forenoon. From that time, my father’s house was less like home to me, and I often thought and said, “I wish I could go and live among the Indians.”
I cannot tell how long we remained at Elk Horn; when we moved, we travelled two days with horses and wagons, and came to the Ohio, where my father bought three flat boats; the sides of these boats had bullet holes in them, and there was blood on them, which I understood was that of people who had been killed by the Indians. In one of these boats we put the horses and cattle—in another, beds, furniture, and other property, and in the third were some negroes. The cattle boat and the family boat were lashed together; the third, with the negroes, followed behind. We descended the Ohio, and in two or three days came to Cincinnati; here the cattle boat sunk in the middle of the river. When my father saw it sinking, he jumped on board, and cut loose all the cattle, and they swam ashore on the Kentucky side, and were saved. The people from Cincinnati came out in boats to assist us, but father told them the cattle were all safe.
In one day we went from Cincinnati to the mouth of the Big Miami, opposite which we were to settle. Here was some cleared land, and one or two log cabins, but they had been deserted on account of the Indians. My father rebuilt the cabins, and enclosed them with a strong picket. It was early in the spring when we arrived at the mouth of the Big Miami, and we were soon engaged in preparing a field to plant corn. I think it was not more than ten days after our arrival, when my father told us in the morning, that from the actions of the horses, he perceived there were Indians lurking about in the woods, and he said to me, “John, you must not go out of the house to day.” After giving strict charge to my step mother to let none of the little children go out, he went to the field, with the negroes, and my elder brother, to drop corn.
John Tanner's narrative begins not with his capture but with his later life as an interpreter at Sault Ste. Marie, framing the entire account as a retrospective explanation of how a white boy became an Ojibwa man. The editor, Edwin James, notes in his introduction that Tanner had lived only nine years among whites before his capture, then spent thirty years with Indians, eventually forgetting his English name and language. This framing immediately sets up the central tension: Tanner's identity is neither fully white nor fully Indian, and the narrative will trace how that ambiguity shaped every aspect of his life.
The Opening: A Man Without a Country
The introduction by Edwin James establishes the tragic arc before Tanner's own voice is heard. James describes Tanner as a man who had 'no country, no people, no one who understood him,' and notes that his attempt to rejoin white society after thirty years proved impossible. This editorial framing is crucial: it tells the reader that the narrative to follow is not a simple adventure story but a document of cultural dislocation. The opening also reveals that Tanner's story continued long after the book was printed in 1830—he spent sixteen more years trying to find a place in white society, a fact that colors every episode of the captivity narrative itself.
Middle Excerpts: Daily Life and Friction
In the middle of the narrative, Tanner describes his work as a hunter for the Hudson's Bay Company, killing about one hundred buffalo in four months. The details are concrete: he delivered forty entire and fat buffalo to the company, for which he was paid three hundred and ten dollars. But the excerpts also reveal social friction. Tanner notes that the Scots labourers he worked with 'were much more rough and brutal in their manners than any people I had before seen,' and he contrasts the abusive clerk M'Donald with the respectful M'Kenzie, who stayed to learn the Ojibbeway language. These observations show Tanner navigating between two worlds, judging both Indians and whites by his own standards.
Later Excerpts: Power and Prejudice
A later passage describes the medicine man Ais-kaw-ba-wis, whose influence over the community remains undiminished even after a woman accuses him of sexual misconduct. Tanner's reaction is telling: he finds the man's drunken, naked appearance 'ludicrous in the extreme' and does not refrain from 'irreverent merriment.' Yet he also recognizes that Ais-kaw-ba-wis's ill will forces him to leave the settlement. This episode illustrates the complex power dynamics within Ojibwa society, where spiritual authority could override moral transgressions, and where Tanner, despite his long residence, remained vulnerable to the whims of influential individuals.
Structure and Voice: A Collaborative Account
The narrative is presented as Tanner's own story, but it was written down and edited by Edwin James, a doctor who had previously edited an account of Major Long's expedition. This collaborative authorship raises questions about voice and authenticity. The excerpts show a mixture of detailed observation and personal reflection, but the reader cannot know how much James shaped the prose. The narrative also includes glossaries of Indian languages, reflecting James's scientific interests. Readers should approach the text as a hybrid document—part autobiography, part ethnographic record—and consider how the editorial hand may have influenced the portrayal of Tanner's experiences.
John Tanner's narrative resists easy categorization. It is at once a captivity story, a memoir of cultural adaptation, and a record of Ojibwa and Ottawa life in the early nineteenth century. The excerpts reveal a man who observed both Indian and white societies with a critical eye, but who ultimately belonged fully to neither. Readers will find the most value by attending to the specific details of daily life, trade, and conflict, and by remaining aware of the editorial frame that shapes Tanner's story.
I remember John Tanner’s slow fading between two worlds, a man never quite at home anywhere. That ache for a fixed place lingers. Turning to Legends of Loudoun An account of the history and homes of a border county of Virginia's Northern Neck — Key Ideas to Explore, I find a quieter echo: how even a settled land holds its own restless borders, its homes whispering of belonging and leave-taking alike.
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