Les Parsis — Background and Themes
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Chapter I. The Exodus of the Parsis 1 II. The Zoroastrians in Persia 38 III. Population--Costumes--Usages--Festivals 77
A special interest attaches to this translation into English of D. Menant's monograph entitled "Les Parsis," arising from the circumstance that it is, in great part, the work of a Parsi lady, the late Miss Ratanbai Ardeshir Vakil.
I have still a vivid recollection of the morning in the beginning of the year 1886 on which Mr. Ardeshir F. Vakil, senior partner in one of the leading firms of solicitors in Bombay, brought his two daughters Meherbai and Ratanbai to the Wilson College to begin their career as students of the Bombay University. Although for many years that University had prefaced its Regulations with the sentence--"In the following regulations the pronoun 'he' and its derivatives are used to denote either sex," and had thus opened its doors wide to the women of India, only one lady student had been enrolled as undergraduate in Arts before these two sisters entered upon their College career. The experiment which was then made awakened some anxieties. Would it be possible for Indian ladies to study in a mixed College class? How would the men be likely to conduct themselves in the new situation?--these were questions which naturally presented themselves. The result of the experiment disappointed from the beginning all such fears. From the first day the presence of these ladies elevated the tone and discipline of the College class in a manner most creditable to the ladies and to the men. The success of this experiment paved the way for the admission during subsequent years of an increasing number of lady students to the privileges of a University education, who are under no small obligation to the courage and character displayed by these two sister pioneers. They both came to the University under the impulse of a real love of learning, and their success in the pursuit of it was assured from the beginning.
In this prefatory note I confine myself to the career of the younger sister. The elder, after her graduation as Bachelor of Arts in Bombay, entered upon a course of medical study which led her ultimately to London and Glasgow. From the Glasgow University she received the degrees of M.B., C.M., and is now exercising her profession in her native city.
The younger sister, Ratanbai, never left home. The strength of her attachment to her home in Bombay was quite remarkable. She found little enjoyment even in those temporary absences from Bombay during the hot season vacation which prove so attractive to many. Her life moved in two spheres--the College and her home, and these two sufficed.
Born in December, 1869, she was a girl of sixteen when she entered upon her studies for her degree. She passed through the ordinary curriculum of study, which included English and French Literature, Mathematics, Elementary Science, History, and Logic. The subjects in which she was specially interested were English and French Literature. French was recognised by the University as one of the languages which might be studied in the course for the degree of Bachelor of Arts when she entered upon her studies, and she was one of the first to select this language. She had as her instructor the late Signor Pedraza, a gentleman whose name will always be associated with the history of the progress of French studies in Western India. Under his competent guidance she acquired a great love for French literature, and found in this side of her studies much mental enjoyment. In 1890 she passed her examination for the degree with honours, and was immediately thereafter elected to a Fellowship in the College. This also was a new and interesting experiment, amply justified by its results.
The opening pages of Les Parsis immediately establish a dual frame: Delphine Menant’s French monograph, translated by the late Miss Ratanbai Ardeshir Vakil, a Parsi lady. The translator’s father brought his two daughters to Wilson College in 1886, making them early women undergraduates at Bombay University. This biographical detail, supplied in the introduction, colors the entire work. The reader encounters a study that is at once an outsider’s scholarly account and an insider’s cultural document, filtered through the labor of a woman who lived the community she helped render in English.
A Scholar’s Opening: Exodus and Context
Menant begins with “The Exodus of the Parsis,” tracing the migration from Persia to India. The opening chapter relies on historical sources rather than narrative. The reader is given dates, place names, and references to Persian rulers. The tone is detached, but the subject matter—flight from religious persecution—carries an undercurrent of urgency. The translator’s preface, however, shifts the register. It recounts the Vakil sisters’ college career in a personal, almost anecdotal style. This juxtaposition is the first clue that Les Parsis is not a dry compendium. The scholarly apparatus coexists with a living connection to the community it describes.
Numbers and Narratives: The Middle Chapters
In the chapter on Zoroastrians in Persia, Menant deploys statistics and traveler accounts. She cites Ibn Haukhal’s observation that each village once had its temple and sacred book. Then she contrasts this with the situation in 1858, when thirty-five fire temples existed in Yezd and environs, and later only four in Yezd itself. The decline is quantified. But the most striking evidence comes from Westergaard, who visited Persia in 1843. He reports seeing only sixteen or seventeen books in eleven days, and obtaining just two copies of the Vendidad Sadé. The scarcity is palpable. Menant also details the Jazia tax, which rose from 660 to nearly 2,000 tomans, and notes that of a thousand Zoroastrians, only two hundred could pay without difficulty. These figures are not abstract; they are tied to “lamentable scenes” at tax collection.
Voice of the Persecuted: Firsthand Accounts
Menant incorporates direct testimony from Zoroastrians themselves. Westergaard’s letter describes Guebres in Kirman as “more maltreated than their brethren in Yezd,” with only two copies of the Vendidad and a Yasna. They complain bitterly of Aga Mahomed Khan’s sack of the city, the destruction of sacred books, and the massacre of the faithful. The word “Guebres” is used as a slur, and Menant notes that Zoroastrians were dishonored by that appellation. She draws a parallel to the Mahar caste in India, subjected to similar pollution taboos. These passages give the reader a sense of lived oppression, not just historical summary. The excerpts are raw: “they could not do so even under threats of death.”
The Translator’s Shadow: A Parsi Woman’s Lens
The introduction, written by someone other than Menant, focuses on Ratanbai Vakil’s character: her attachment to home, her love of learning, her success as a pioneer. This framing invites the reader to consider how the translation itself is an act of cultural mediation. Vakil did not merely render French into English; she brought her own community’s perspective to the text. The note that she translated “in part” suggests collaboration or incompletion. The reader is left to wonder which sections she handled and how her identity shaped word choices. The work thus becomes a layered document: a French scholar’s study, an English translation, and a Parsi woman’s intellectual legacy.
Reading Les Parsis with attention to its excerpts reveals a work that oscillates between statistical survey and personal testimony. The opening biographical note about the translator is not mere preface; it is a key to the book’s dual nature. For a first reading, note how Menant weaves quantitative data with traveler accounts, and how the translator’s own story echoes the community’s resilience. The incomplete translation and the private circulation of the original edition remind us that this is a document shaped by specific hands and historical circumstances.
Reading how Menant wove census tables and Parsi voices into one fabric, I remembered my grandmother’s old Gujarati diary—statistics of harvests beside her marriage fears. The crowd — Background and Themes gave me that same ache of seeing anonymous multitudes suddenly breathe as individuals, each small line a life I nearly overlooked.
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