Poison Romance and Poison Mysteries — Context and Discussion

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Thompson, C. J. S. (Charles John Samuel), 1862-1943 Project Gutenberg 2013 Not confirmed
Poisoners; Poisoning Readers of public-domain and historical texts
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Words 46,982
Reading time 205 min
Text sections 5

For Poison Romance and Poison Mysteries — Context and Discussion, the stored edition analysis reports 46,982 words, 3 hr 25 min estimated reading time, and 5 detected text sections.

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An examination of historical poisonings and toxicology lore, blending true crime cases like the Pritchard trial with literary and romantic accounts of poison use, drawn from a 1910 work by a British toxicologist.
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This was the very earliest age of poisoning, when pharmacy was employed for vicious or revengeful purposes.

Thus we find that almost every savage nation and people has its own peculiar poison. In Africa the seeds of _Strophanthus hispidus_, or kombé, a most virulent poison, are used for this purpose; while explorers tell us that the ancient pigmy race of Central Africa employ a species of red ant crushed to a paste, to tip their arrows and spears. The South American Indians poison their arrow-heads with curare or ourari, produced from a species of _strychnos_ and other plants, while the Malays and hill tribes of India use aconite, and other poisonous juices and extracts. The _Antiaris toxicaria_ is also used as an arrow poison by the Malays.

The bushmen of the South African district "Kalahari," use the juice of the leaf beetle "diamphidia" and its larva for poisoning their arrow-heads. Lewin, who calls the beetle _Diamphidia simplex_, found in its body, besides inert fatty acids, a toxalbumin which causes paralysis, and finally death. According to Boehm, the poison from the larva also belongs to the toxalbumins, and Starke states, that it causes the dissolution of the colouring matter of the blood and produces inflammation.

A halo of mystery, sometimes intermixed with romance, has hung about the dread word _poison_ from very early times. In the dark days of mythology, allusions to mysterious poisons were made in legend and saga. Thus a country in the Far North was supposed to be ruled and dominated by sorcerers and kindred beings, all of whom were said to be children of the Sun. Here dwelt Æëtes, Perses, Hecate, Medea, and Circe. Hecate was the daughter of Perses and married to Æëtes, and their daughters were Medea and Circe. Æëtes and Perses were said to be brothers, and their country was afterwards supposed to be Colchis. To Hecate is ascribed the foundation of sorcery and the discovery of poisonous herbs. Her knowledge of magic and spells was supposed to be unequalled. She transmitted her power to Medea, whose wonderful exploits have been frequently described and depicted, and who by her magic arts subdued the dragon that guarded the golden fleece, and assisted Jason to perform his famous deeds. Hecate's garden is described by the poets as being enclosed in lofty walls with thrice-folding doors of ebony, which were guarded by terrible forms, and only those who bore the leavened rod of expiation and the concealed conciliatory offering could enter. Towering above was the temple of the dread sorceress, where the ghastly sacrifices were offered and all kinds of horrible spells worked.

Medea was also learned in sorcery and an accomplished magician. It is related that, after her adventures with Jason, she returned with him to Thessaly. On their arrival they found Æson, the father of Jason, and Pelias, his uncle, who had usurped the throne, both old and decrepit. Medea was requested to exert her magical powers to make the old man young again, an operation she is said to have speedily performed by infusing the juice of certain potent plants into his veins.

Some years after, Medea deserted Jason and fled to Athens, and shortly afterwards married Ægeus, king of that city. Ægeus had a son by a former wife, named Theseus, who had been brought up in exile. At length he resolved to return and claim his parentage, but Medea hearing of this, and for some reason greatly resenting it, put a poisoned goblet into the hands of Ægeus at an entertainment he gave to Theseus, with the intent that he should hand it to his son. At the critical moment, however, the king cast his eyes on the sword of Theseus, and at once recognized it as that which he had delivered to his son when a child, and had directed that it should be brought by him when a man, as a token of the mystery of his birth. The goblet was at once thrown away, the father embraced his son, and Medea fled from Athens in a chariot drawn by dragons through the air.

Circe's charms were of a more seductive and romantic character. She is said to have been endowed with exquisite beauty, which she employed to allure travellers to her territory. On their landing, she entreated and enticed them to drink from her enchanted cup. But no sooner was the draught swallowed, than the unfortunate stranger was turned into a hog, and driven by the magician to her sty, where he still retained the consciousness of what he had been, and lived to repent his folly.

Gula, the patroness of medicine and a divinity of the Accadians, was regarded by that ancient people as "the mistress and controller of noxious poisons" as far back as 5000 years B.C.

Thompson opens with a striking epigraph from Eno's 'Fruit Salt' advertisement—'Conquest over human pain'—before plunging into a world where poison is both a medical tool and a weapon. The book's structure alternates between sensational criminal cases, such as the 1865 trial of Dr. Pritchard for poisoning his wife and mother-in-law with antimony, and more literary or historical accounts of poison rings, gloves, and love philters. The excerpts show a fascination with the gap between public perception and forensic reality: in the Pritchard case, the initial diagnosis of apoplexy and gastric fever masked deliberate antimony poisoning, revealed only through post-mortem analysis and exhumation.

The Pritchard Case: Antimony and Social Standing

The trial of Dr. Edward Pritchard, detailed in the excerpts, illustrates how social position initially shielded a poisoner. Thompson notes that Pritchard's 'position occupied by the accused man in society in Glasgow' and his six-year medical practice 'awakened an unusual degree of attention.' The deaths of Mrs. Taylor (aged seventy, attributed to apoplexy) and her daughter Mrs. Pritchard (gastric fever) were accepted until police, alerted by 'certain hints,' ordered exhumations. The post-mortem by Professors Maclagan, Gamgee, and Littlejohn found 'minute particles of antimony in the liver.' Thompson emphasizes the procedural shift from natural causes to criminal inquiry, highlighting the role of forensic chemistry in overturning initial assumptions.

Poisoned Gloves and Rings: Romance Meets Toxicology

Thompson devotes space to 'poisoned gloves and rings of old romance,' as noted in a contemporary review. These objects, often associated with Renaissance courts, blur the line between legend and documented history. The author treats them as both literary motifs and real hazards, citing cases where victims absorbed toxins through skin contact. The excerpts do not provide full details, but the pattern suggests Thompson is interested in how poison operates as a narrative device—a 'subtle and mystic' element, per the Daily Chronicle review—while also grounding it in pharmacological fact. This dual approach, mixing anecdote with analysis, recurs throughout the book.

Literary Poisonings and the Public Imagination

Thompson's chapter on 'toxicology in fiction' is described by Literature magazine as 'sprightly.' The excerpts do not reveal which novels he discusses, but the book's title—Poison Romance and Poison Mysteries—signals a deliberate pairing of romanticized and forensic accounts. The Illustrated London News review notes that 'the story portions will attract most attention,' suggesting Thompson uses narrative to make toxicology accessible. He likely contrasts fictional portrayals (e.g., the 'poisoned gloves and rings of old romance') with real cases, showing how popular imagination both distorts and mirrors actual criminal methods. The book seems to argue that poison's cultural fascination stems from its invisibility and intimacy.

Thompson's work is best approached as a collection of case studies and curiosities rather than a systematic treatise. Readers interested in the Pritchard trial will find a detailed procedural account, while those drawn to the romance of historical poisons should expect a mix of verified fact and period speculation. The book rewards selective reading: skip the lengthy advertisements and focus on the narrative portions, where Thompson's background as a toxicologist lends authority to his descriptions of symptoms, autopsies, and chemical analyses.

Reading about poison’s slow, patient work in those old cases made me think of how houses hold their histories, too—walls absorbing whispers and weather. There’s a quiet weight in both, a lingering trace of lives lived intensely. That feeling came back while leafing through Hawkins-Davison Houses, Frederica, St. Simons Island, Georgia — Inside the Classic, where every room seems to keep a secret. I closed it feeling oddly tender toward time.

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